Gender inequality in mental music production
Material type:
- 9781787146754
- 305.4072 BER
Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
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Gandhi Smriti Library | 305.4072 BER (Browse shelf(Opens below)) | Available | 177951 |
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305.403 ENC Encyclopaedia of feminst theory/ edited by S.Channa | 305.4054 WOM Women of Asia: globalization, development and gender equity | 305.4054912 SED Lahure women: two centuries of struggle, service and silent fortitude | 305.4072 BER Gender inequality in mental music production | 305.409 Bar Dust in the balance | 305.409 KON Women after all : | 305.409 SMI Women In World History: 1450 to the present |
For over four decades, scholars have been investigating male dominance - both symbolically and numerically -within popular music. The heavier genres of popular music, metal music in particular, have been male dominated spaces, which are difficult to navigate for women participating as fans, musicians, or both. Studies on gender inequality in metal music have convincingly demonstrated how gender dynamics shape the reception of metal music and metal scenes all over the globe. Yet, they shed relatively little light on the extent of and reasons for metal music's male domination from a production perspective. This book fills this gap, offering is a systematic and large-scale overview of gender inequality in metal music production. In other words: how many women - compared to men - are participating in metal bands and what are the causes for the differences in participation?
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