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Autobiography of an unknown Indian : Part II,. Thy hand, great anarch! India 1921-1952

By: Material type: TextTextPublication details: Ahmedabad Jaico Publishing House 2013Description: 979ISBN:
  • 9788179928301
Subject(s): DDC classification:
  • 954.14031092 CHA
Summary: Anyone who wishes to understand what has happened in India in the twentieth century - politically and culturally - must read Nirad C. Chaudhuri. Among her men of letters he is unique; for the fertility of his mind and the polymathic range of his interests, as well as for the lucidity of his prose and his sheer integrity.-Geoffrey Moorhouse (Chaudhuri) has spent a lifetime kicking against the myths and shibboleths held by the majority of his fellow countrymen: he has ridiculed the pacifism of Mahatma Gandhi...he has castigated Indian nationalism for being corrupt, self-seeking, and destructive... (he has) vented his spleen at the stupidity and philistinism of the British in India. His latest (book) is almost a thousand pages long. It testifies to (his) eloquence, wit, and intellectual brilliance that he can go on at such length without once becoming a bore. Ian Buruma, The New York Review of Books
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Anyone who wishes to understand what has happened in India in the twentieth century - politically and culturally - must read Nirad C. Chaudhuri. Among her men of letters he is unique; for the fertility of his mind and the polymathic range of his interests, as well as for the lucidity of his prose and his sheer integrity.-Geoffrey Moorhouse

(Chaudhuri) has spent a lifetime kicking against the myths and shibboleths held by the majority of his fellow countrymen: he has ridiculed the pacifism of Mahatma Gandhi...he has castigated Indian nationalism for being corrupt, self-seeking, and destructive... (he has) vented his spleen at the stupidity and philistinism of the British in India. His latest (book) is almost a thousand pages long. It testifies to (his) eloquence, wit, and intellectual brilliance that he can go on at such length without once becoming a bore. Ian Buruma, The New York Review of Books

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