| 000 | 01605nam a22002057a 4500 | ||
|---|---|---|---|
| 003 | OSt | ||
| 005 | 20260519101332.0 | ||
| 008 | 260519b |||||||| |||| 00| 0 eng d | ||
| 020 | _a9780141397412 | ||
| 040 | _cAACR-II | ||
| 082 | _aJ PEN C | ||
| 100 |
_aGilman, Charlotte Perkins _916861 |
||
| 245 | _aYellow wall-paper: no-42 | ||
| 260 |
_aGreat Britain _bPenguin Random House _c2015 |
||
| 300 | _a54 p. | ||
| 440 |
_aPenguin Little Black Classics Series _919447 |
||
| 520 | _a'The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.' Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalized nineteenth-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Charlotte Perkins Gilman (1860-1935). Gilman's work is available in Penguin Classics in The Yellow Wall-Paper, Herland and Selected Writings. | ||
| 650 |
_aItalian Fiction _919602 |
||
| 942 |
_2ddc _cB |
||
| 999 |
_c361043 _d361043 |
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