000			01376nam a22002057a 4500
003			OSt
005			20241216122403.0
020			_a9781787146754
082			_a305.4072 BER
100			_aBerkers, Pauwke _98200
100			_aSchaap, Julian _98201
245			_aGender inequality in mental music production
260			_aUK; _bEmerald; _c2018
300			_a149p.
520			_aFor over four decades, scholars have been investigating male dominance - both symbolically and numerically -within popular music. The heavier genres of popular music, metal music in particular, have been male dominated spaces, which are difficult to navigate for women participating as fans, musicians, or both. Studies on gender inequality in metal music have convincingly demonstrated how gender dynamics shape the reception of metal music and metal scenes all over the globe. Yet, they shed relatively little light on the extent of and reasons for metal music's male domination from a production perspective. This book fills this gap, offering is a systematic and large-scale overview of gender inequality in metal music production. In other words: how many women - compared to men - are participating in metal bands and what are the causes for the differences in participation?
650			_aMale dominance _98188
650			_aGender Inequality _98202
650			_aMusic _98196
942			_cB
999			_c357455 _d357455