000 | 01464nam a22001937a 4500 | ||
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999 |
_c343771 _d343771 |
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003 | 0 | ||
005 | 20210227113415.0 | ||
020 | _a9788182903333 | ||
082 |
_a294.5513 _bBHA |
||
100 | _aBhadhury, Manjulika | ||
245 | _aArt of hindu dance | ||
260 |
_aGurugram _bShubhi Publications _c2021 |
||
300 | _a238 | ||
520 | _aDancing is inherent in all humans. It is commonly a piece of amusement, a part of education, a social function or a health-giving sport. As a part of education no branch of physical training is believed to do so much for the development of poise and deportment as that particular type of dancing, which is generally known as ballet. Dance does not merely form a part of health-giving exercise, or training in correct poise and deportment, it is something more. It is amusement both for the person and for the community; a scope and an occasion for the lovers to meet and enjoy each other’s company without a social taboo; for friends to actively participate in a lively, musical occupation; for strangers to become intimate. Of all, dancing in society provides consummation of free-mixing, of interchangeable emotion,—both physical and mental, between the two sexes, if, however, on the contrary it does not lead to complexities of ideas and feelings of love and jealousy, of broad-mindedness and narrowness of heart. | ||
650 | _aDance in art | ||
700 | _aChatterjee, Santosh | ||
700 | _aNarayan, Shovana (fwd.) | ||
942 | _cB |