01724nam a22002177a 4500 0 20260521120456.0 9788199811928 CS 793.31 NAR Narayan, Shovana 3031 IAS 18744 1976 19303 Speaking sculptures karanas in Kathak Gurugram Shubhi Publications 2026 227p. In Kathak, karanas refer to codified movement units that combine stance, footwork, torso movement, and expressive gestures into a single flowing phrase. Rooted in the ancient Nāṭyaśāstra, where 108 karanas are described as foundational dance movements, Kathak absorbed and reinterpreted these principles through its own aesthetic over centuries. Unlike Bharatanatyam or Odissi, where karanas are often presented as clearly defined sculptural units, Kathak integrates them more fluidly. Here, karanas appear as dynamic transitions—linking tat te thai footwork, swift chakkars (spins), and subtle torso shifts. The emphasis is less on static poses and more on continuity, rhythm, and grace. Kathak karanas are deeply tied to laya (tempo) and tala (rhythmic cycle). A single karana may unfold across several beats, allowing the dancer to play with acceleration, pauses, and rhythmic improvisation. The upright posture, controlled neck and eye movements, and intricate foot patterns reflect Kathak’s courtly refinement. Through abhinaya, karanas also gain expressive depth—suggesting moods, characters, or narrative moments without overt dramatization. Civil Services 19781 Classical dance of India 19782 Dance - India - History and criticism 19783 DB 0 0 0 0 LBSNAA LBSNAA 2026-05-21 3500.00 0 CS 793.31 NAR 173526 2026-05-21 2026-05-21 DB 361125 361125