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    <subfield code="a">Gita: Mewari miniature painting (1680-1698) by Allah Baksh</subfield>
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    <subfield code="a">The miniature paintings of the Gita by Allah baksh, published in this volume for the first time, are from the late seventeenth century Mewar. Commissioned by udaipur&#x2019;s Maharana Jai Singh, these paintings of the Gita are part of an illustrated Mahabharata Folio of more than 4000 works. Allah baksh&#x2019;s luminous work on the Gita has no precedent in India&#x2019;s art tradition. He has illustrated Krishna&#x2019;s ecstatic song, verse by abstract verse. His images, meditative and unostentatious, are free from both heroic posturing and spiritual pride. Their colours are clear and luminous; their lines are restrained and precise. The Folio reveals an artist for whom the Gita is a magnificent conversation between man and God about the pity and the sorrow of war. Allah baksh&#x2019;s art of visionary thoughtfulness deserves an honoured place in the great library of Indian scriptures and their interpretations. Alok Bhalla&#x2019;s commentary on the relationship between the paintings and the verses of the Gita is richly nuanced and imaginative. He challenges us to think about how artists have interpreted India&#x2019;s sacred texts in radically new ways. Bhalla argues that these miniature paintings are not mere illustrations of Krishna divine discourse and that Allah baksh&#x2019;s work is a morally significant visual guide to the Gita, as each painting is a unique moment of revelation. Chandra Prakash deval&#x2019;s fine translation of the Gita from me war I into Hindi is a valuable addition to our understanding of the history of cultural exchange between the different regions and languages of India.</subfield>
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